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An Interview with Chelsea Vivash
Step into the world of Chelsea Vivash, where everyday objects become art, and wood is transformed into intricate, unexpected compositions. Working from studio in Bristol, Chelsea reinvents the centuries-old craft of marquetry—a traditional woodworking technique that involves piecing together delicate veneers to create detailed designs.
But forget the heavy antiques and ornate motifs of the past—Chelsea brings a playful, contemporary twist to this meticulous art. Inspired by the shapes, colours, and textures of the world around her, she translates simple observations into striking handcrafted artworks and home accessories.
We sat down with Chelsea to talk about her creative process, what makes handcrafted homeware special, and how she’s bringing marquetry into the modern world—one veneer at a time.
By Marie Winckler

How did your journey as an artist begin? Was there a defining moment that set you on this path?
I have always been creative, ever since I was a child I loved to spend my free time drawing and making things from cardboard, I would much prefer these types of activities to other childrens games. My creative practice developed throughout school and university where I studied BA Fine Art in Edinburgh and then Product and Furniture design in London. I think that the work I make now combines my fine art practice as well as my background in furniture and product design, and it just makes sense for me as a maker
What drew you to marquetry as your primary technique?
Marquetry brings together my love of drawing with my woodworking skills, it’s like painting with woodgrain. I love the textures and colours of the different species of wood as well as the muted tones of the dyed veneer. It’s incredible how you can create such depth in a piece of work by selecting the right veneer, and because it’s a natural material, every single thing I make is unique.

Your work is deeply inspired by everyday objects. What is it about these familiar forms that captivates you?
I think that there is such beauty in the mundane. We spend the majority of our time at home, at work or in our local areas and so I think it's important to notice the beauty in the things we see everyday.
I often make compositions from memory, or even abstract pieces that start off by drawing freehand and seeing what happens… all of the work that I make is inspired by the world around me.
If your work had a signature colour palette, what would it be, and why?
I’m constantly drawn to a natural colour palette and muted pastel tones. The colours I use are very important to me, I like all colours, but I avoid very bright harsh tones - within each piece the colours need to sit together harmoniously.
Marquetry is a traditional craft. How do you reinterpret it in a modern way?
I came across the technique of marquetry whilst studying and found it inspiring that you can create drawings by using wood grain. However the imagery that is often created with this technique is somewhat outdated. I use simple organic shapes and a modern colour palette to elevate the technique for a modern audience.

What’s your process like, from the initial idea to the final piece?
I start by making hand drawn sketches and then translating them into digital drawing which helps me to plan the colours and compositions. Then I work with the material itself to cut and put together the veneers, creating a unique piece. It then gets glued and pressed onto a wooden backing. Once it is glued I trim and sand back the work to reveal the beauty of the finished piece.
Do you have a favorite material or type of wood to work with?
I don’t have a favourite wood grain but I select each piece of veneer very carefully when creating an artwork or product and so each section becomes special to me.
Are there any small details in your pieces that you love but that people might not immediately notice?
Because everything is handmade you can sometimes notice the human touch in each piece, a circle might not be completely round, or there could be a little imperfection in the curve of a shape. I really love this about my work, it's how you can tell it wasn’t made by a machine and I think it adds to its overall charm.

Adriana Jaros, a Latin American interdisciplinary artist based in London, UK.
Living and working in East London, how does your environment influence your work?
I actually recently moved to Bristol, however much like East London there is so much culture and creativity around me. It’s a melting pot of people with lots of artistic talent, being here makes me want to create.
If you could collaborate with any designer, artist, or maker, who would it be and what would you create together?
I love collaborating and would be happy to work with someone from any discipline. I especially like the idea of taking the work of a painter and translating it into a wooden artwork.
I have collaborated on numerous occasions with Venezuelan artist Adriana Jaros. Her work is evocative of her upbringing in Venezuela and features architectural shapes which translate really well into marquetry
What’s one piece you’ve created that holds a particularly special place in your heart?
I really love the 3D sculptural vases I made with Adriana Jaros, as well as my Frustum Lamp stand. Seeing the marquetry as a sculptural object really brings it to life

What advice would you give to someone looking to incorporate more handcrafted, artistic elements into their home?
I think you need to really buy something that you love, instead of choosing something because it is ‘on trend’. You can feel the quality of handmade homeware. They are unique, which is what is so beautiful about it, you know that you are the only person in the world with that object, which makes it truly special.
If you could create a dream interior space featuring your work, what would it look like?
I think it would be a whole room panelled with my marquetry, like a mural from wood. I like dark rich interiors at the moment so it would feature lots of nice dark woodgrains like walnut burl veneer.
Are there any new projects or collections you’re particularly excited about?
I am hoping to release a new collection of art pieces with Maison Flâneur soon which I’m looking forward to sharing. I’m always excited to work on larger bespoke pieces so thats something I’m hoping to develop further this year.