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The Autumn Edit: Our Favourite Lamp Trends
When the clocks go back and the afternoons turn to amber, the humble lamp becomes the most important object in the house. This season’s autumn lamp trends are gloriously unafraid of colour and they’re designed not just to light a room, but to make every hue within it glow. Here are the five we can’t stop switching on, followed by our best tips for adding lamps to your autumn lighting, so your rooms feel enveloping from the first dark evening to the last.
By Lara Silva
Why Autumn Lighting Is Really a Colour Decision
Every colour in your home was, in some sense, chosen under a particular light, usually a bright spring morning, or the flattering neutrality of a paint shop. Autumn changes the terms entirely. Daylight arrives lower, warmer and for far fewer hours, and from late October the lamps are doing most of the work; a green that read as crisp and botanical in May can turn flat and faintly murky by November, while a blush wall that felt sweet all summer looks suddenly tired under the wrong bulb.
Which is precisely why we’re so smitten with this season’s lamps. The loveliest of them treat light as colour so that the rooms around them feel bold but controlled, layered rather than lit from a single ceiling rose. It is, we’d argue, the most transformative autumn decorating decision you can make, and it rarely requires a paintbrush; a single well-chosen statement lampshades will often do more than a fresh coat ever could.
The Sculptural Uplighter Steps Into the Spotlight
Wall lights have long been the unsung heroes of a well-lit room; this season, they’re finally getting the recognition they deserve. The Redonda Uplight Ceramic Sconce in Butter Yellow is hand-crafted and glazed both inside and out, so it bounces a warm glow up towards the ceiling — tracing the curve of a cornice or a picture rail and adding the ambient layer that so many rooms quietly lack. Its butter-yellow glaze is pure bottled sunshine, a welcome antidote to grey November skies, and it looks every bit as beautiful switched off as it does lit. Mount a pair either side of a mantelpiece for a softly symmetrical, faintly Georgian glow. It is sculpture that happens to switch on — which is, frankly, the best kind.
Fringed Velvet Makes a Grand Return
Restraint is out; fringing is back, and it has never looked more at home than on a dark autumn evening. The Ida – Hayley Stuart Collection is the quintessential example, a sumptuous velvet shade where Art Deco elegance meets Moroccan magic, its geometric patterning and swishing fringe handcrafted by the makers in their Nottinghamshire studio.
Lit from within, velvet glows like a jewel box, softening the light into something rich and theatrical, and because it comes in sizes from 35cm to 55cm and works as both a pendant and a lamp shade, it can crown a ceiling rose or a humble side-table base with equal aplomb. Hang it low over a reading chair and watch the whole corner turn cinematic. It’s the lampshade equivalent of a velvet smoking jacket: impossible to wear half-heartedly.
Fruit-Toned Linen Is the New Neutral
Crisp white shades feel almost clinical once autumn arrives, which is why we’re reaching instead for linen in the colours of the orchard. Our current obsession is The Linen Card in Goldenberry, a shade described, rather perfectly, as “deeper than apricot, more knocked back than tangerine.” Handmade in London with a straight Empire silhouette and a multi-directional stripe, its finely woven linen card lets through slightly brighter light than pure fabric, so it warms a room without dimming it. Set one against a green wall or a blush-pink chimney breast and the two colours seem to hum in harmony. Consider it the autumn equivalent of a perfectly ripe apricot: sunny, soft and entirely irresistible.
Cordless Lacquer Goes Wherever the Evening Does
The rechargeable lamp has shed its gadgety past and emerged as a genuine object of desire. The Cherry Lacquer Rechargeable Bobbin LED Lamp is our favourite of the lot: a turned bobbin silhouette with a glossy, hand-lacquered cherry finish that echoes the antique candlesticks we so adore, standing 30cm tall and offering up to ten hours of warm, adjustable light on a single charge. Carry it from the dinner table to the bookshelf to the bathside, or tuck it into the dark corners that never had a socket to begin with. That deep cherry red is the season in a single colour, think conkers, claret and the last of the Virginia creeper. We suspect it may never sit in the same spot two nights running
Hand-Painted Stripes Bring the Joy
If there’s one mood we want from our lamps this autumn, it’s joy — and nothing delivers it quite like a hand-painted stripe. The Stripe Lamp in Pink & Orange is hand-thrown and hand-painted in a family-run Italian workshop that has been perfecting its craft since 1970, its candy-pink and terracotta bands bringing a sun-baked Mediterranean warmth to the greyest of afternoons.
No two are quite alike, which is precisely the point. The base is sold on its own, so we’d crown it with a pleated shade in rust or a simple linen drum and let the stripes do the talking. It’s a little holiday on the sideboard, and one that lasts all winter long.
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